V to I resolution
Use the dominant sound to pull strongly into a stable major tonic.
Guitar chord companion
Learn the B13b9 chord on guitar with chord tones, intervals, and interactive fretboard shapes.
Start with these chord-box shapes, then use the full fretboard below to see every chord tone.
Low to high strings: x 14 13 14 13 16
Low to high strings: 7 x 7 5 4 4
Low to high strings: 7 11 7 8 x 8
Low to high strings: x 11 9 8 10 8
Low to high strings: x 14 13 14 13 16
Every B13b9 Chord chord tone across the neck, with roots highlighted for quick orientation.
Frets 0–24. Select a position or tap a note to hear it.
Try these progressions to hear the harmony in context. On bass, outline each chord with individual target tones.
Use the dominant sound to pull strongly into a stable major tonic.
The same dominant root can resolve into a minor tonic for a darker cadence.
Place the dominant at the end of a turnaround so the next phrase has forward motion.
| Degree | Interval | Note |
|---|---|---|
| 1 | Root | B |
| 3 | M3 | D# |
| 5 | P5 | F# |
| b7 | m7 | A |
| b9 | m9 | C |
| 13 | M13 | G# |
1 – 3 – 5 – b7 – b9 – 13
Compound degrees retain their names: 9, 11, and 13 are extensions. A voicing may place their pitches in a closer register.