V to I resolution
Use the dominant sound to pull strongly into a stable major tonic.
Guitar chord companion
Learn the Bb13 chord on guitar with chord tones, intervals, and interactive fretboard shapes.
Start with these chord-box shapes, then use the full fretboard below to see every chord tone.
Low to high strings: x 1 3 1 3 3
Low to high strings: 6 5 6 3 3 3
Low to high strings: 6 8 6 7 8 6
Low to high strings: x x 8 12 9 10
Low to high strings: x 13 12 13 x 15
Every Bb13 Chord chord tone across the neck, with roots highlighted for quick orientation.
Frets 0–24. Select a position or tap a note to hear it.
Try these progressions to hear the harmony in context. On bass, outline each chord with individual target tones.
Use the dominant sound to pull strongly into a stable major tonic.
The same dominant root can resolve into a minor tonic for a darker cadence.
Place the dominant at the end of a turnaround so the next phrase has forward motion.
| Degree | Interval | Note | Default guitar voicing |
|---|---|---|---|
| 1 | Root | Bb | Included |
| 3 | M3 | D | Included |
| 5 | P5 | F | Usually omitted |
| b7 | m7 | Ab | Included |
| 9 | M9 | C | Included |
| 11 | P11 | Eb | Usually omitted |
| 13 | M13 | G | Included |
The table shows the complete theoretical chord. The default guitar voicing uses Bb, D, Ab, C, G; degrees 5, 11 are usually omitted. Chord-tone maps include every formula tone.
1 – 3 – 5 – b7 – 9 – 11 – 13
Compound degrees retain their names: 9, 11, and 13 are extensions. A voicing may place their pitches in a closer register.