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Guitar chord companion

D7#11 Chord

Learn the D7#11 chord on guitar with chord tones, intervals, and interactive fretboard shapes.

1D3F#5Ab7C#11G#

Playable D7#11 Chord voicings

Start with these chord-box shapes, then use the full fretboard below to see every chord tone.

D shape, open position

D7#11 D shape, open position chord diagramString pattern from low to high: x x 0 1 1 2. X means muted and O means open.XEXAODGBe213

Low to high strings: x x 0 1 1 2

C shape, fret 4

D7#11 C shape, fret 4 chord diagramString pattern from low to high: x 5 4 5 x 4. X means muted and O means open.XEADGXBe44231

Low to high strings: x 5 4 5 x 4

A shape, fret 5

D7#11 A shape, fret 5 chord diagramString pattern from low to high: x 5 6 5 7 5. X means muted and O means open.XEADGBe512131

Low to high strings: x 5 6 5 7 5

G shape, fret 8

D7#11 G shape, fret 8 chord diagramString pattern from low to high: 10 9 x x 9 8. X means muted and O means open.EAXDXGBe84231

Low to high strings: 10 9 x x 9 8

E shape, fret 10

D7#11 E shape, fret 10 chord diagramString pattern from low to high: 10 11 10 11 x 10. X means muted and O means open.EADGXBe1014132

Low to high strings: 10 11 10 11 x 10

Full fretboard map

Every D7#11 Chord chord tone across the neck, with roots highlighted for quick orientation.

Interactive

Frets 0–24. Select a position or tap a note to hear it.

EBGDAEF#G#ACDF#G#ACDCDF#G#ACDF#G#AF#G#ACDF#G#ACDG#ACDF#G#ACDF#CDF#G#ACDF#G#AF#G#ACDF#G#ACD123456789101112131415161718192021222324
CAGED

Progression examples using D7#11

Try these progressions to hear the harmony in context. On bass, outline each chord with individual target tones.

V to I resolution

Use the dominant sound to pull strongly into a stable major tonic.

  1. V D7#11
  2. /I G Major

Minor-key dominant pull

The same dominant root can resolve into a minor tonic for a darker cadence.

  1. V D7#11
  2. /i G Minor

Chord Tones

DegreeIntervalNote
1RootD
3M3F#
5P5A
b7m7C
#11A11G#

Scales Containing the Complete Formula

Complete Formula

1 – 3 – 5 – b7 – #11

Compound degrees retain their names: 9, 11, and 13 are extensions. A voicing may place their pitches in a closer register.

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