V to I resolution
Use the dominant sound to pull strongly into a stable major tonic.
Guitar chord companion
Learn the Db13 chord on guitar with chord tones, intervals, and interactive fretboard shapes.
Start with these chord-box shapes, then use the full fretboard below to see every chord tone.
Low to high strings: x 4 3 4 x 6
Low to high strings: x 4 6 4 6 6
Low to high strings: 9 8 9 6 6 6
Low to high strings: 9 11 9 10 11 9
Low to high strings: x x 11 15 12 13
Every Db13 Chord chord tone across the neck, with roots highlighted for quick orientation.
Frets 0–24. Select a position or tap a note to hear it.
Try these progressions to hear the harmony in context. On bass, outline each chord with individual target tones.
Use the dominant sound to pull strongly into a stable major tonic.
The same dominant root can resolve into a minor tonic for a darker cadence.
Place the dominant at the end of a turnaround so the next phrase has forward motion.
| Degree | Interval | Note | Default guitar voicing |
|---|---|---|---|
| 1 | Root | Db | Included |
| 3 | M3 | F | Included |
| 5 | P5 | Ab | Usually omitted |
| b7 | m7 | Cb | Included |
| 9 | M9 | Eb | Included |
| 11 | P11 | Gb | Usually omitted |
| 13 | M13 | Bb | Included |
The table shows the complete theoretical chord. The default guitar voicing uses Db, F, Cb, Eb, Bb; degrees 5, 11 are usually omitted. Chord-tone maps include every formula tone.
1 – 3 – 5 – b7 – 9 – 11 – 13
Compound degrees retain their names: 9, 11, and 13 are extensions. A voicing may place their pitches in a closer register.