V to I resolution
Use the dominant sound to pull strongly into a stable major tonic.
Guitar chord companion
E11 Chord
Learn the E11 chord on guitar with chord tones, intervals, and interactive fretboard shapes.
1E5Bb7D9F#11A
Playable E11 Chord voicings
Start with these chord-box shapes, then use the full fretboard below to see every chord tone.
E shape, open position
Low to high strings: 0 0 0 2 0 0
D shape, fret 2
Low to high strings: x x 2 2 3 5
C shape, fret 5
Low to high strings: x 7 7 7 5 5
A shape, fret 7
Low to high strings: x 7 7 7 10 7
G shape, fret 9
Low to high strings: 12 x 9 9 10 10
Full fretboard map
Every E11 Chord chord tone across the neck, with roots highlighted for quick orientation.
Frets 0–24. Select a position or tap a note to hear it.
CAGED
Progression examples using E11
Try these progressions to hear the harmony in context. On bass, outline each chord with individual target tones.
Minor-key dominant pull
The same dominant root can resolve into a minor tonic for a darker cadence.
Turnaround color
Place the dominant at the end of a turnaround so the next phrase has forward motion.
Chord Tones
| Degree | Interval | Note | Default guitar voicing |
|---|---|---|---|
| 1 | Root | E | Included |
| 3 | M3 | G# | Usually omitted |
| 5 | P5 | B | Included |
| b7 | m7 | D | Included |
| 9 | M9 | F# | Included |
| 11 | P11 | A | Included |
The table shows the complete theoretical chord. The default guitar voicing uses E, B, D, F#, A; degrees 3 are usually omitted. Chord-tone maps include every formula tone.
Scales Containing the Complete Formula
Complete Formula
1 – 3 – 5 – b7 – 9 – 11
Compound degrees retain their names: 9, 11, and 13 are extensions. A voicing may place their pitches in a closer register.