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Guitar chord companion

E7#11 Chord

Learn the E7#11 chord on guitar with chord tones, intervals, and interactive fretboard shapes.

1E3G#5Bb7D#11A#

Playable E7#11 Chord voicings

Start with these chord-box shapes, then use the full fretboard below to see every chord tone.

E shape, open position

E7#11 E shape, open position chord diagramString pattern from low to high: 0 1 0 1 x 0. X means muted and O means open.OEAODGXBOe21

Low to high strings: 0 1 0 1 x 0

D shape, fret 2

E7#11 D shape, fret 2 chord diagramString pattern from low to high: x x 2 3 3 4. X means muted and O means open.XEXADGBe21324

Low to high strings: x x 2 3 3 4

C shape, fret 6

E7#11 C shape, fret 6 chord diagramString pattern from low to high: x 7 6 7 x 6. X means muted and O means open.XEADGXBe64231

Low to high strings: x 7 6 7 x 6

A shape, fret 7

E7#11 A shape, fret 7 chord diagramString pattern from low to high: x 7 8 7 9 7. X means muted and O means open.XEADGBe712131

Low to high strings: x 7 8 7 9 7

G shape, fret 10

E7#11 G shape, fret 10 chord diagramString pattern from low to high: 12 11 x x 11 10. X means muted and O means open.EAXDXGBe104231

Low to high strings: 12 11 x x 11 10

Full fretboard map

Every E7#11 Chord chord tone across the neck, with roots highlighted for quick orientation.

Interactive

Frets 0–24. Select a position or tap a note to hear it.

EBGDAEG#A#BDEG#A#BDEA#BDEG#A#BDEG#EG#A#BDEG#A#BDG#A#BDEG#A#BDEDEG#A#BDEG#A#BG#A#BDEG#A#BDE123456789101112131415161718192021222324
CAGED

Progression examples using E7#11

Try these progressions to hear the harmony in context. On bass, outline each chord with individual target tones.

V to I resolution

Use the dominant sound to pull strongly into a stable major tonic.

  1. V E7#11
  2. /I A Major

Minor-key dominant pull

The same dominant root can resolve into a minor tonic for a darker cadence.

  1. V E7#11
  2. /i A Minor

Chord Tones

DegreeIntervalNote
1RootE
3M3G#
5P5B
b7m7D
#11A11A#

Scales Containing the Complete Formula

Complete Formula

1 – 3 – 5 – b7 – #11

Compound degrees retain their names: 9, 11, and 13 are extensions. A voicing may place their pitches in a closer register.

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