V to I resolution
Use the dominant sound to pull strongly into a stable major tonic.
Guitar chord companion
Learn the F13 chord on guitar with chord tones, intervals, and interactive fretboard shapes.
Start with these chord-box shapes, then use the full fretboard below to see every chord tone.
Low to high strings: 1 3 1 2 3 1
Low to high strings: x x 3 7 4 5
Low to high strings: x 8 7 8 x 10
Low to high strings: x 8 10 8 10 10
Low to high strings: 13 12 13 10 10 10
Every F13 Chord chord tone across the neck, with roots highlighted for quick orientation.
Frets 0–24. Select a position or tap a note to hear it.
Try these progressions to hear the harmony in context. On bass, outline each chord with individual target tones.
Use the dominant sound to pull strongly into a stable major tonic.
The same dominant root can resolve into a minor tonic for a darker cadence.
Place the dominant at the end of a turnaround so the next phrase has forward motion.
| Degree | Interval | Note | Default guitar voicing |
|---|---|---|---|
| 1 | Root | F | Included |
| 3 | M3 | A | Included |
| 5 | P5 | C | Usually omitted |
| b7 | m7 | Eb | Included |
| 9 | M9 | G | Included |
| 11 | P11 | Bb | Usually omitted |
| 13 | M13 | D | Included |
The table shows the complete theoretical chord. The default guitar voicing uses F, A, Eb, G, D; degrees 5, 11 are usually omitted. Chord-tone maps include every formula tone.
1 – 3 – 5 – b7 – 9 – 11 – 13
Compound degrees retain their names: 9, 11, and 13 are extensions. A voicing may place their pitches in a closer register.