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Guitar chord companion

F13b9 Chord

Learn the F13b9 chord on guitar with chord tones, intervals, and interactive fretboard shapes.

1F3A5Cb7Ebb9Gb13D

Playable F13b9 Chord voicings

Start with these chord-box shapes, then use the full fretboard below to see every chord tone.

E shape, open position

F13b9 E shape, open position chord diagramString pattern from low to high: 1 x 0 2 4 2. X means muted and O means open.EXAODGBe1342

Low to high strings: 1 x 0 2 4 2

D shape, fret 2

F13b9 D shape, fret 2 chord diagramString pattern from low to high: x 5 3 2 4 2. X means muted and O means open.XEADGBe242131

Low to high strings: x 5 3 2 4 2

C shape, fret 7

F13b9 C shape, fret 7 chord diagramString pattern from low to high: x 8 7 8 7 10. X means muted and O means open.XEADGBe731214

Low to high strings: x 8 7 8 7 10

A shape, fret 7

F13b9 A shape, fret 7 chord diagramString pattern from low to high: x 8 7 8 7 10. X means muted and O means open.XEADGBe721314

Low to high strings: x 8 7 8 7 10

G shape, fret 10

F13b9 G shape, fret 10 chord diagramString pattern from low to high: 13 x 13 11 10 10. X means muted and O means open.EXADGBe1034211

Low to high strings: 13 x 13 11 10 10

Full fretboard map

Every F13b9 Chord chord tone across the neck, with roots highlighted for quick orientation.

Interactive

Frets 0–24. Select a position or tap a note to hear it.

EBGDAEFGbACDEbFGbACDEbCDEbFGbACDEbFGbAEbFGbACDEbFGbACDACDEbFGbACDEbFGbCDEbFGbACDEbFGbAFGbACDEbFGbACDEb123456789101112131415161718192021222324
CAGED

Progression examples using F13b9

Try these progressions to hear the harmony in context. On bass, outline each chord with individual target tones.

V to I resolution

Use the dominant sound to pull strongly into a stable major tonic.

  1. V F13b9
  2. /I Bb Major

Minor-key dominant pull

The same dominant root can resolve into a minor tonic for a darker cadence.

  1. V F13b9
  2. /i Bb Minor

Chord Tones

DegreeIntervalNote
1RootF
3M3A
5P5C
b7m7Eb
b9m9Gb
13M13D

Scales Containing the Complete Formula

Complete Formula

1 – 3 – 5 – b7 – b9 – 13

Compound degrees retain their names: 9, 11, and 13 are extensions. A voicing may place their pitches in a closer register.

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