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Guitar chord companion

F#7#11 Chord

Learn the F#7#11 chord on guitar with chord tones, intervals, and interactive fretboard shapes.

1F#3A#5C#b7E#11B#

Playable F#7#11 Chord voicings

Start with these chord-box shapes, then use the full fretboard below to see every chord tone.

E shape, fret 2

F#7#11 E shape, fret 2 chord diagramString pattern from low to high: 2 3 2 3 x 2. X means muted and O means open.EADGXBe214132

Low to high strings: 2 3 2 3 x 2

D shape, fret 4

F#7#11 D shape, fret 4 chord diagramString pattern from low to high: x x 4 5 5 6. X means muted and O means open.XEXADGBe41324

Low to high strings: x x 4 5 5 6

C shape, fret 8

F#7#11 C shape, fret 8 chord diagramString pattern from low to high: x 9 8 9 x 8. X means muted and O means open.XEADGXBe84231

Low to high strings: x 9 8 9 x 8

A shape, fret 9

F#7#11 A shape, fret 9 chord diagramString pattern from low to high: x 9 10 9 11 9. X means muted and O means open.XEADGBe912131

Low to high strings: x 9 10 9 11 9

G shape, fret 12

F#7#11 G shape, fret 12 chord diagramString pattern from low to high: 14 13 x x 13 12. X means muted and O means open.EAXDXGBe124231

Low to high strings: 14 13 x x 13 12

Full fretboard map

Every F#7#11 Chord chord tone across the neck, with roots highlighted for quick orientation.

Interactive

Frets 0–24. Select a position or tap a note to hear it.

EBGDAEF#A#B#C#EF#A#B#C#EA#B#C#EF#A#B#C#EF#EF#A#B#C#EF#A#B#C#A#B#C#EF#A#B#C#EF#B#C#EF#A#B#C#EF#A#F#A#B#C#EF#A#B#C#E123456789101112131415161718192021222324
CAGED

Progression examples using F#7#11

Try these progressions to hear the harmony in context. On bass, outline each chord with individual target tones.

V to I resolution

Use the dominant sound to pull strongly into a stable major tonic.

  1. V F#7#11
  2. /I B Major

Minor-key dominant pull

The same dominant root can resolve into a minor tonic for a darker cadence.

  1. V F#7#11
  2. /i B Minor

Chord Tones

DegreeIntervalNote
1RootF#
3M3A#
5P5C#
b7m7E
#11A11B#

Scales Containing the Complete Formula

Complete Formula

1 – 3 – 5 – b7 – #11

Compound degrees retain their names: 9, 11, and 13 are extensions. A voicing may place their pitches in a closer register.

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