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Guitar chord companion

G9b5 Chord

Learn the G9b5 chord on guitar with chord tones, intervals, and interactive fretboard shapes.

1G3Bb5Dbb7F9A

Playable G9b5 Chord voicings

Start with these chord-box shapes, then use the full fretboard below to see every chord tone.

G shape, fret 2

G9b5 G shape, fret 2 chord diagramString pattern from low to high: 3 2 3 2 2 x. X means muted and O means open.EADGBXe221311

Low to high strings: 3 2 3 2 2 x

E shape, fret 3

G9b5 E shape, fret 3 chord diagramString pattern from low to high: 3 4 3 4 x 5. X means muted and O means open.EADGXBe313124

Low to high strings: 3 4 3 4 x 5

D shape, fret 5

G9b5 D shape, fret 5 chord diagramString pattern from low to high: 5 8 5 6 x 7. X means muted and O means open.EADGXBe514123

Low to high strings: 5 8 5 6 x 7

C shape, fret 9

G9b5 C shape, fret 9 chord diagramString pattern from low to high: x 10 9 10 10 9. X means muted and O means open.XEADGBe941321

Low to high strings: x 10 9 10 10 9

A shape, fret 9

G9b5 A shape, fret 9 chord diagramString pattern from low to high: 9 10 9 x 10 13. X means muted and O means open.EADXGBe912134

Low to high strings: 9 10 9 x 10 13

Full fretboard map

Every G9b5 Chord chord tone across the neck, with roots highlighted for quick orientation.

Interactive

Frets 0–24. Select a position or tap a note to hear it.

EBGDAEFGABDbFGABDbBDbFGABDbFGAFGABDbFGABDbABDbFGABDbFGDbFGABDbFGABFGABDbFGABDb123456789101112131415161718192021222324
CAGED

Progression examples using G9b5

Try these progressions to hear the harmony in context. On bass, outline each chord with individual target tones.

V to I resolution

Use the dominant sound to pull strongly into a stable major tonic.

  1. V G9b5
  2. /I C Major

Minor-key dominant pull

The same dominant root can resolve into a minor tonic for a darker cadence.

  1. V G9b5
  2. /i C Minor

Chord Tones

DegreeIntervalNote
1RootG
3M3B
b5d5Db
b7m7F
9M9A

Scales Containing the Complete Formula

Complete Formula

1 – 3 – b5 – b7 – 9

Compound degrees retain their names: 9, 11, and 13 are extensions. A voicing may place their pitches in a closer register.

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