Minor ii-V-i
Half-diminished and diminished sounds often set up a dominant chord resolving to minor.
Guitar chord companion
Learn the G# Diminished chord on guitar with chord tones, intervals, and interactive fretboard shapes.
Start with these chord-box shapes, then use the full fretboard below to see every chord tone.
Low to high strings: 4 2 x 4 3 x
Low to high strings: 4 5 6 4 x x
Low to high strings: x x 6 7 x 7
Low to high strings: x 11 9 x 9 10
Low to high strings: x 11 12 13 12 x
Every G# Diminished Chord chord tone across the neck, with roots highlighted for quick orientation.
Frets 0–24. Select a position or tap a note to hear it.
Try these progressions to hear the harmony in context. On bass, outline each chord with individual target tones.
Half-diminished and diminished sounds often set up a dominant chord resolving to minor.
Use the tension as a connector between more stable harmony.
| Degree | Interval | Note |
|---|---|---|
| 1 | Root | G# |
| b3 | m3 | B |
| b5 | d5 | D |
1 – b3 – b5
Compound degrees retain their names: 9, 11, and 13 are extensions. A voicing may place their pitches in a closer register.