Bass chord companion
Learn the G# Diminished chord on bass with chord tones, intervals, playable arpeggios, and fretboard maps.
Play these tones one at a time to outline the chord. The maps show the complete formula; the numbered exercises give an ascending path, including extensions in their written octave.
Standard four-string bass: E1 – A1 – D2 – G2. String 4 is low E; string 1 is high G. Fingers 1–4 are index through little finger; 0 is open. Use comfortable hand positions and shift where indicated.
G# Diminished complete chord-tone map around string 4, fret 4. Choose individual tones for a bass line.
Follow steps 1–3 below. Keep one hand position.
| Step | Degree | Note | String / fret | Finger | Position |
|---|---|---|---|---|---|
| 1 | 1 | G#1 | 4 / 4 | 3 | Fret 2 |
| 2 | b3 | B1 | 3 / 2 | 1 | Fret 2 |
| 3 | b5 | D2 | 3 / 5 | 4 | Fret 2 |
G# Diminished complete chord-tone map around string 3, fret 11. Choose individual tones for a bass line.
Follow steps 1–3 below. Keep one hand position.
| Step | Degree | Note | String / fret | Finger | Position |
|---|---|---|---|---|---|
| 1 | 1 | G#2 | 3 / 11 | 3 | Fret 9 |
| 2 | b3 | B2 | 2 / 9 | 1 | Fret 9 |
| 3 | b5 | D3 | 2 / 12 | 4 | Fret 9 |
Every G# Diminished Chord chord tone across the neck, with roots highlighted for quick orientation.
Frets 0–24. Select a position or tap a note to hear it.
Try these progressions to hear the harmony in context. On bass, outline each chord with individual target tones.
Half-diminished and diminished sounds often set up a dominant chord resolving to minor.
Use the tension as a connector between more stable harmony.
| Degree | Interval | Note |
|---|---|---|
| 1 | Root | G# |
| b3 | m3 | B |
| b5 | d5 | D |
1 – b3 – b5
Compound degrees retain their names: 9, 11, and 13 are extensions. A voicing may place their pitches in a closer register.